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I suspect that as you suggest X runs very well and is very powerful. But how do you explain how Magix basically can't even give it away? While I don't have access to their recent sales figures, their recent offer of roughly $150 for all kinds of good stuff including the next version of X, Wavelab, and a bunch of other goodies didn't seem to generate much of a buzz. I was delighted to discover that, having learned Samplitude, there was almost no learning curve - and now I can apply all my object-editing tricks to video… As I'm not really familiar with all the ins and outs of X, I'm not here to tell you that your Samplitude love is misplaced. #SAMPLITUDE PRO X3 TUTORIAL MOVIE#I'll also put in a plug for Magix’s Movie Edit Pro – an inexpensive program that's basically Samplitude for video. For me, it's like the Photoshop of DAWS – I can't imagine using anything else. I wanted to goose this thread to reiterate just how freaking powerful this program is. If you just bought a Porsche, upgrading from a Saturn, you'll basically need to learn to drive all over again. The German sports car analogy is a good one. I was delighted to discover that, having learned Samplitude, there was almost no learning curve - and now I can apply all my object-editing tricks to video… Someone mentioned mute automation – for me this is ideal mute automation. ![]() Did somebody hit a wrong note? Zoom in, add four volume handles, and notch it out. Grab one or more handles on the curves and adjust levels as you listen. Using keyboard shortcuts to switch "mouse modes", I'll often be manipulating volume curves during playback. Second, the automation curves are powerful and fun, once you get the hang of them. The same techniques work for MIDI or audio objects. Set your undo levels to 100 and experiment away. I can't think of a better "arranger" – you can even be shuffling objects during playback, if it suits your needs. Once you've memorized/customized keyboard shortcuts, objects can be dragged, duplicated, resized, split, merged, grouped, and endlessly manipulated with ease. ![]() Years later, there are still features in Samplitude that I haven't explored.įor the new user, there are two areas that deserve special note: Samplitude was conceived around the idea of nondestructive object editing, and I don't know if any other program does it as elegantly. #SAMPLITUDE PRO X3 TUTORIAL FULL#Trying to learn this program on your own can be a hard climb, and it may take more than 30 days to achieve full fluency. Perhaps watching the tutorial videos will help convince those on the fence. And Samplitude, meanwhile, relies on little more than word-of-mouth. Reaper made the laudable business decision to give away their software, and it's served them well. Sonar and Cubase have always been good at marketing. ![]() ProTools has market share because ProTools has market share - it's the winner-take-all circular logic that governs the realm of software. To people who've delved into its abilities, Samplitude is often indispensable. To the prospective buyer, the question is probably: Why would I commit to a such a little-known, relatively expensive program? Well, considering the lack of marketing, the mere fact that Samplitude still exists is a testimony to its virtue. #SAMPLITUDE PRO X3 TUTORIAL SOFTWARE#The people who created this software are passionate about what they're doing, and it shows. But I'll say this about Samplitude: if you're willing to invest in the learning curve, you'll find it can do just about anything you can think of. Perhaps if I spent as much time with Reaper I'd come to appreciate it as much. #SAMPLITUDE PRO X3 TUTORIAL HOW TO#Of course, I'm highly biased, because I logged the long hours learning how to use all this power. But also like a German car, if you get past the quirkiness, Samp was a great machine to drive.The German sports car analogy is a good one. In a BMW SUV you push the tailgate button down to lift up the gate, just odd. Its a lot like driving a German car, nothing really seems to work the way it seems like it should, things were just never really intuitive. I used Samp for years (almost a decade now that I think about it).
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